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<\/a><\/p>\nD\u00e9tail de la reconstitution virtuelle des Immat\u00e9riaux.<\/em> Site \u00ab Toutes les copies \u00bb, dans le cadre du projet de recherche \u00ab\u00a0Beyond Matter\u00a0\u00bb.<\/p>\n \u00ab Matter. Non-Matter. Anti-Matter. \u00bb<\/strong> Reconstitution \u00e0 l’identique de l’installation Toutes les copies<\/em>, con\u00e7ue par Liliane Terrier.<\/p>\n https:\/\/zkm.de\/en\/exhibition\/2022\/12\/matter-non-matter-anti-matter<\/a><\/p>\n \u00ab Les Immat\u00e9riaux \u00bb (1985) Aper\u00e7us d’une manifestation<\/em> postmoderne https:\/\/www.centrepompidou.fr\/fr\/collection\/films-et-nouveaux-medias\/les-immateriaux<\/a><\/p>\n \u00ab Journ\u00e9es d\u2019\u00e9tude Les Immat\u00e9riaux<\/em> \u00bb, <\/b>Biblioth\u00e8que Kandinsky, Paris, 9 et 10 juin 2023<\/p>\n Communication de Jean-Louis Boissier, \u00ab Les Immat\u00e9riaux<\/em> \u00e0 travers leurs mots \u00bb. The Making of Les Immat\u00e9riaux<\/em>, 2025<\/strong><\/p>\n <\/p>\n The exhibition Les Immat\u00e9riaux<\/em> was presented at the Centre Pompidou in Paris in 1985. Curated by the philosopher Jean-Fran\u00e7ois Lyotard and design theoretician Thierry Chaput, it is widely regarded as a landmark in the history of postmodern philosophy, as well as for discourses around art, science and digital culture. Acc\u00e8s \u00e0 l’ouvrage :<\/p>\n The Making of Les Immat\u00e9riaux<\/a><\/p><\/blockquote>\n
\nExposition du ZKM, Karlsruhe, d\u00e9cembre 2022 – avril 2023.<\/p>\n<\/a><\/p>\n
\n<\/strong>Exposition du Centre Pompidou du 5 juillet 2023 au 8 janvier 2024.
\nEspace des Collections film, vid\u00e9o, son et \u0153uvres num\u00e9riques. Mus\u00e9e, niveau 4.
\n
\nPropos : Sous le commissariat du philosophe Jean-Fran\u00e7ois Lyotard et du th\u00e9oricien du design Thierry Chaput<\/span>, accompagn\u00e9s d\u2019une \u00e9quipe de conseillers scientifiques, l\u2019exposition Les Immat\u00e9riaux<\/em> a \u00e9t\u00e9 pr\u00e9sent\u00e9e en 1985 dans la Grande Galerie, au niveau 6 du Centre Pompidou. Les commissaires ont pr\u00e9f\u00e9r\u00e9 utiliser le terme de manifestation<\/em> afin de se d\u00e9marquer des canons de l\u2019exposition d\u2019art autant que de la tradition des expositions universelles de sciences et techniques<\/span>.\u00a0Il s\u2019agissait de plonger le public dans une exp\u00e9rience nouvelle de \u00ab\u00a0navigation\u00a0\u00bb<\/span>, de \u00ab\u00a0faire \u00e9prouver le sentiment de l\u2019ach\u00e8vement d\u2019une p\u00e9riode et la curiosit\u00e9 inqui\u00e8te qui na\u00eet \u00e0 l\u2019aube de la postmodernit\u00e9\u00a0\u00bb en explorant un tournant \u00e9pist\u00e9mologique\u00a0: les pr\u00e9mices d\u2019une soci\u00e9t\u00e9 informatis\u00e9e amen\u00e9e \u00e0 remodeler la relation de l\u2019humain au monde<\/span>.<\/p>\n
\n(Version pdf \u00e0 t\u00e9l\u00e9charger).<\/a><\/p>\n<\/a><\/p>\n
\nBroeckmann\u2019s book provides the first comprehensive account of the preparation of this epochal event. It shows how the exhibition resulted from multiple, collaborative and interdisciplinary trajectories in such diverse fields as contemporary art, architecture, science, and network media. Based on extensive archival research, The Making of Les Immat\u00e9riaux <\/em>offers detailed insights into the curatorial process. Throughout its ten chapters, the book highlights the different forms of cooperation among the people involved in the conception of the exhibition, including Lyotard, Chaput, the team at the Centre de Cr\u00e9ation Industrielle, and their consultations with artists, theorists, and scientists.
\nLes Immat\u00e9riaux<\/em> marks a pivotal point in the history of exhibitions in the 20th century because it gave important impulses for the organisation, design and structure of interdisciplinary exhibitions. Broeckmann discusses the place of Les Immat\u00e9riaux<\/em> in the broader context of this history, examining the epistemology of exhibits, curatorial agency, and interdisciplinarity in research networks. The book takes up current questions about the relationship between materiality and immateriality, between subjectivity and thinghood, and shows how Les Immat\u00e9riaux <\/em>continues to offer a significant contribution to debates that over the last decades have become ever more urgent.<\/p>\n