{"id":532,"date":"2026-04-02T21:49:07","date_gmt":"2026-04-02T19:49:07","guid":{"rendered":"https:\/\/www.rvdv.net\/leurslumieres\/?page_id=532"},"modified":"2026-04-02T22:20:21","modified_gmt":"2026-04-02T20:20:21","slug":"32-dautres-images","status":"publish","type":"page","link":"https:\/\/www.rvdv.net\/leurslumieres\/page-d-exemple\/32-dautres-images\/","title":{"rendered":"32. D’autres images"},"content":{"rendered":"

\"\"<\/p>\n

Robert Indiana, The Electric Eat, 1964-2007 (con\u00e7ue en 1964, ex\u00e9cut\u00e9e en 2007), aluminium polychrome et lampes, 198\u00d7198 cm, copie n\u00b03 d\u2019une \u00e9dition de 5 (plus 2 \u00e9preuves d\u2019artiste). Waddington Galleries, Londres.<\/p>\n

\"\"<\/p>\n

Avril 2012, galerie Yvon Lambert, rue Vieille du Temple, Paris, 3e. Ariel Schlesinger, Braunshweig Door, 2012<\/p>\n

\"\"<\/p>\n

Sarkis, Pour la voix<\/em>, 1978, 13 ampoules sur lesquelles sont dessin\u00e9s des pictogrammes reproduisant des motifs cr\u00e9\u00e9s par Lissitzky pour les po\u00e8mes de Ma\u00efakovski Pour la voix (1923). Mamco, Gen\u00e8ve, avril 2011<\/p>\n

\"\"<\/p>\n

Daniel Buren, Janvier 2010, Palais Royal, Paris<\/p>\n

\"\"<\/p>\n

Daniel Buren, Janvier 2010, Palais Royal, Paris<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

James Turrell, Blue Planet Sky<\/em>, 2004, Century Museum of Contemporary Art de Kanazawa, Japon, avril 2008, Mus\u00e9e d’art contemporain<\/p>\n

\"\"<\/p>\n

Avril 2012, galerie Yvon Lambert, rue Vieille du Temple, Paris, 3e. Ariel Schlesinger, Candle<\/em>, 2011, multiple sign\u00e9 avec Jonathan Monk<\/p>\n

\"\"<\/p>\n

Anthony McCall, Solid Light Films<\/em>, d\u00e9cembre 2009, exposition \u00ab Lanterne magique et film peint \u00bb, Cin\u00e9math\u00e8que fran\u00e7aise, Paris.<\/p>\n

\"\"<\/p>\n

Roman Signer, Parapluies<\/em>, 2009, Palais de Tokyo, 2009<\/p>\n

\"\"<\/p>\n

Joseph Beuys, Voglio vedere le mie montagne<\/em>, 1950-1971<\/p>\n

\"\"<\/p>\n

Joseph Beuys, Basisraum Nasse W\u00e4sche<\/em> (Jungfrau), environnement, 1979<\/p>\n

\"\"<\/p>\n

Sarkis, L\u2019Ouverture, \u00c9clair<\/em>, Mus\u00e9e d\u2019art contemporain de Lyon, Xe Biennale de Lyon, 2009<\/p>\n

\"\"<\/p>\n

Sarkis, L\u2019Ouverture, Tonnerre<\/em>, Mus\u00e9e d\u2019art contemporain de Lyon, Xe Biennale de Lyon, 2009<\/p>\n

\"\"<\/p>\n

Sarkis, Tr\u00e9sors de la m\u00e9moire (les onze enfants de l\u2019histoire du cin\u00e9ma)<\/em>, 2002, MacVal, 2012<\/p>\n

\"\"<\/p>\n

Laurent Grasso, \u00c9clipse<\/em>, 2007, collection Krzentowski, Paris. N\u00e9on, Who\u2019s afraid of red, yellow and blue ? Maison rouge, boulevard de la Bastille, Paris<\/p>\n

\"\"<\/p>\n

Melik Ohanian, (G)host<\/em>, 2006, galerie Chantal Crousel, Paris. N\u00e9on, Who\u2019s afraid of red, yellow and blue ? Maison rouge, boulevard de la Bastille, Paris<\/p>\n

\"\"<\/p>\n

Piotr Kowalski, Pour qui ?<\/em>, 1967, collection Andrea Kowalski, Paris. N\u00e9on, Who\u2019s afraid of red, yellow and blue ? Maison rouge, boulevard de la Bastille, Paris<\/p>\n

\"\"<\/p>\n

Joseph Kosuth, Words are Deeds<\/em>, 1991, galerie 1900:2000, Paris. N\u00e9on, Who\u2019s afraid of red, yellow and blue ? Maison rouge, boulevard de la Bastille, Paris<\/p>\n

\"\"<\/p>\n

Joseph Kosuth, Neon<\/em>, 1965, galerie Almine Rech. N\u00e9on, Who\u2019s afraid of red, yellow and blue ? Maison rouge, boulevard de la Bastille, Paris<\/p>\n

\"\"<\/p>\n

Fran\u00e7ois Morrellet, Neons by Accident<\/em>, 2003. Mus\u00e9e national d\u2019art moderne, Centre Pompidou. Exposition Fran\u00e7ois Morellet, \u00ab R\u00e9installations \u00bb, 2011<\/p>\n

\"\"<\/p>\n

Fran\u00e7ois Morrellet, No End Neon<\/em>, 1990. Mus\u00e9e national d\u2019art moderne, Centre Pompidou. Exposition Fran\u00e7ois Morellet, \u00ab R\u00e9installations \u00bb, 2011<\/p>\n

\"\"<\/p>\n

Fran\u00e7ois Morrellet, Encha\u00eenement n\u00b08<\/em>, 2011, galerie Aline Vidal, Paris. N\u00e9on, Who\u2019s afraid of red, yellow and blue ? Maison rouge, boulevard de la Bastille, Paris<\/p>\n

\"\"<\/p>\n

Fran\u00e7ois Morrellet, L\u2019Avalanche<\/em>, 1996. Mus\u00e9e national d\u2019art moderne, Centre Pompidou. Exposition Fran\u00e7ois Morellet, \u00ab R\u00e9installations \u00bb, 2011<\/p>\n

\"\"<\/p>\n

ran\u00e7ois Morrellet, Deux trames de tirets 0\u00b0-90\u00b0<\/em> avec participation du spectateur, 1971. Mus\u00e9e national d\u2019art moderne, Centre Pompidou. Exposition Fran\u00e7ois Morellet, \u00ab R\u00e9installations \u00bb, 2011<\/p>\n

\"\"<\/p>\n

Tracey Emin, Just Love Me<\/em>, 1986, collection Goetz. N\u00e9on, Who\u2019s afraid of red, yellow and blue ? Maison rouge, boulevard de la Bastille, Paris<\/p>\n

\"\"<\/p>\n

John Armleder, Voltes V<\/em>, 2004, collection Frank Cohen. N\u00e9on, Who\u2019s afraid of red, yellow and blue ? Maison rouge, boulevard de la Bastille, Paris<\/p>\n

\"\"<\/p>\n

Jean-Michel Alberola, Die Armut<\/em>, 2006, collection Antoine de Galbert. N\u00e9on, Who\u2019s afraid of red, yellow and blue ? Maison rouge, boulevard de la Bastille, Paris<\/p>\n

\"\"<\/p>\n

Mai 2012, 16h, galerie LiveInYourHead, 4 rue du Beulet, Gen\u00e8ve. Maurizio Nannucci, More than meets the eye<\/em>, n\u00e9on, 55 x 1000 cm, 2012<\/p>\n

\"\"<\/p>\n

Dan Flavin, f\u00e9vrier 2012, Galerie Perrotin, rue de Turenne, Paris, 3e<\/p>\n

\"\"<\/p>\n

D\u00e9cembre 2011, Centre Pompidou : Yayoi Kusama, Infinity mirror Room (filled With the Brillance of Life)<\/em> \u2014 Salle des Reflets Infinis (emplie de l\u2019\u00c9clat de la Vie) \u2014 2011<\/p>\n

 <\/p>\n

Photographies \u00a9Jean-Louis Boissier<\/p>\n","protected":false},"excerpt":{"rendered":"

Robert Indiana, The Electric Eat, 1964-2007 (con\u00e7ue en 1964, ex\u00e9cut\u00e9e en 2007), aluminium polychrome et lampes, 198\u00d7198 cm, copie n\u00b03 d\u2019une \u00e9dition de 5 (plus 2 \u00e9preuves d\u2019artiste). Waddington Galleries, Londres. Avril 2012, galerie Yvon Lambert, rue Vieille du Temple, Paris, 3e. Ariel Schlesinger, Braunshweig Door, 2012 Sarkis, Pour la voix, 1978, 13 ampoules sur … Continuer la lecture de 32. D’autres images<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":2,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-532","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rvdv.net\/leurslumieres\/wp-json\/wp\/v2\/pages\/532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rvdv.net\/leurslumieres\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rvdv.net\/leurslumieres\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rvdv.net\/leurslumieres\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rvdv.net\/leurslumieres\/wp-json\/wp\/v2\/comments?post=532"}],"version-history":[{"count":10,"href":"https:\/\/www.rvdv.net\/leurslumieres\/wp-json\/wp\/v2\/pages\/532\/revisions"}],"predecessor-version":[{"id":574,"href":"https:\/\/www.rvdv.net\/leurslumieres\/wp-json\/wp\/v2\/pages\/532\/revisions\/574"}],"up":[{"embeddable":true,"href":"https:\/\/www.rvdv.net\/leurslumieres\/wp-json\/wp\/v2\/pages\/2"}],"wp:attachment":[{"href":"https:\/\/www.rvdv.net\/leurslumieres\/wp-json\/wp\/v2\/media?parent=532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}